Indonesian punk

Indonesian punk

The development Punk in Indonesia

Nowadays Indonesia is most biggest punker in the world.Punk was born In England and enter to Indonesia since early 1990.Many big cities has punkers from children until young man or young women.Jakarta,Bandung,Jogjakarta and Malang are big cities in Indonesia which exist with punker.
New developments this punk community culminated in the year 2001.spirit of togetherness and unity the stretcher through the slogan Jakarta Punks manifested through the Jakarta Bersatu volume 1, which was held in February 2001. Jakarta Bersatu is an important starting point for the formation of the economic base of political power in the community Jakarta. The bands playing are bands that at least once to create the works in the tape cassette. This criterion is important to remember that so many bands that appear and disappear without contributing their works. This event is actually a joint event with the hardcore music genre and skinheads with the aim of uniting the music community who have similar backgrounds.

The event marks the Jakarta Bersatu solid community of Jakarta Punk. Because the process of forming the basis of economic production and distribution of nets have been running to form a separate market mechanisms. This event also shows the resistance through the rejection of the sponsor who was considered a capitalist trap. The event was attended by 5000 up to 7000 spectators is evidence that the community of punk, hardcore and skinheads to organize the event with a large capacity, an event that previously could only be performed using large institutional sponsorship donations.
Those who entered the punk community in the period after this transition period will be formed conscience to reject the major labels from major music industry.

Go punk Jakarta International Community (2001-2006)

After experiencing the process of transition, Jakarta Punk evolved into different forms from the previous period. In this period, the punk community in Jakarta had the intervention of capitalism through the commodification and absorption punk symbols into something mass-produced. If the punk movement of the second period the industry still considers punk culture does not have a high selling value, now they think otherwise: punk in Indonesia (including Jakarta) was the target of industrial commodification (Zulqarnain Iskandar, 2004).

Bands like Superman Is Dead (SID, from Bali) signed a contract with a major company is Sony Music Indonesia. After the fall of Soeharto, the current was so swift globalization permeates the punk community in Jakarta. MTV entrance through local television stations such as Global TV quiz and have a big impact on the punk discourse formation. MTV has also worked with MRA company established a magazine and MTV Trax radio.

In addition to capitalism, the influence of the Internet is also a little more interaction and influence the process of socialization punk community in Jakarta. Punk generation born in this period did not experience the interaction and socialization among fellow punk. They get information through the Internet and media. Previously, generation of punk in Jakarta known punk bands through a process of interaction between the members. Now, those who claim to only take reference punk identity through media such as MTV. As noted Zulqarnain Iskandar (2004), via MTV, punk bands of Western commercial, such as Blink 182 and Sum 41, in forming a new discourse about punk in Jakarta. MTV also provides an opportunity for punk bands who want to be on television for her music video to show each other. Punk bands such as the SID and the Rockets Rockers stated frankly that they want to get welfare through voluntary punk sell-outs to sell the image as the punk music of liberation for the money (Zulqarnain Iskandar, 2004).

On the other hand, the existence of the Internet nevertheless give positive energy for berkembangan punk community in Jakarta. Through the Internet, direct-contact relationship with the punk community thrive overseas. Indonesia and Jakarta began to be known by the punk community of the world. By itself, the punk community level interaction Jakarta into an increasingly broad. Community Jakarta for the first time Punk band coming from abroad, Wojcezh from Germany. Wojcezh playing gigs in the street in front of Pasar Festival Kuningan in Jakarta. Wojcezh presence in Jakarta in cooperation of friends from Malaysia-Singapore with the people in the community Jakarta Punk.

After Wojcezh, from Germany comes a few bands from abroad to play in Indonesia. Bands like the Battle of Disarm and Power of Idea of Japan; Foco Protesta, Rambo of the United States; Phist Crist from Australia; Topsiturfi of Singapore, Second Combat Hardcore band from Malaysia; Masseparation Grindcore band from Malaysia, Young And Dangerous Trashcore band from Malaysia, and Cluster Bomb Unit of the German band that has played in Jakarta, twice in 2005 and 2006.

The presence of bands above overseas do not use the help from sponsors donor companies, such as Djarum Super, or A Mild. Through collective cooperation among groups Jakarta punk, bands abroad can be played in Jakarta. One important event is the presence of the legendary band The Exploited has existed in the punk community Inggrissejak 1980s. Exploited present in Jakarta on a tour of Southeast Asia. In Indonesia, Exploited concert held in three cities namely Jakarta, Bandung and Malang. Another interesting event is the concert held in Jakarta on June 10, 2006 at Cirendeu Ball Field. The concert went well with no sponsors that support the event.

Reading the History of Punk Jakarta Community

The existence of punk in Indonesia, especially in Jakarta, attended by a historical process. This fact clearly conflict with the claim that the presence of punk in Indonesia, a historically and without grounds. The most important result of the discovery of historical reconstruction, periodization periodization in the history of punk presence in Jakarta. Each period has internal and external dynamics of each. Behind this historical process is the internal contradictions within the punk community historical developments in the city of Jakarta. In other words, from this historical fact, the author seeks to understand the history of the punk community is critical. The author can identify at least three critical reflection on the community Punk Jakarta as a Counterculture movement:

First, from the four periods of history show that punk as a resistance movement to find his best form in the second period. However, here also lies the problem. When the punk community is the Counterculture movement, then the consistency of political attitudes Jakarta punk community needs to be questioned. Punk as a political movement can be read more as caused by movement of the PRD and the infiltration of socio-political conditions in 1997-1999 that allows not just punk kids are talking politics or politics, but almost all people in Jakarta can talk politics. Moreover, this condition is driven by the current reforms that opened the freedom of speech and expression. The fact that a weak political position of the punk community is supported by the declining Jakarta work or political statements in the daily actions of individuals in it.

The next period is the period III starting from 2001 until the present time is slowly showing that the punk community undergo a process of depoliticization of Jakarta as the decrease in public political activity after the political reform in the year 1997-2000. This means that Jakarta punk community stagnated for real political activities. In other words, the punk community Jakarta trapped into a situation and political conditions in the attitudes and actions in opposition to the state and capitalism.

Second, the development community Punk Jakarta as IVI (as of this writing) has a worrying condition. Many of the members of the punk community in cooperation with Jakarta that institutions previously capitalism as the enemy they claim they are. Examples of events that sparked controversy was the inclusion Marginal, a punk band joined in the group of pig's fangs Jagakarsa-Depok, to the coverage of the Urban Reality Show on RCTI. In addition Fangs The Pig and the Marginal is also involved as extras in the movie Naga Bonar 2. BZndara ceremony at the scene in the film we can see some punk kid from Pig's fangs group followed the ceremony in the film.

This indicated that the collective consciousness of the punk community Jakarta weakened. In addition, this fact shows that in the body Punk community Jakarta-fragmentation is fragmentation between one group with other groups. It should be stressed that the authors realize that the community is very heterogeneous and do not stand a monolithic.

Finally, economic punk failed in providing an alternative or economic struggle against the capitalist system. Even the orientation mode of production that made punk community Jakarta has the seeds of capital accumulation in berproduksinya activities. In other words, if the community is not aware of punk Jakarta and critical reflection of the activities they do, then the unconscious mode of production from the punk community of Jakarta which has been run will move toward the capital accumulation law. If this happens then the punk will fall into the tragic death (Out)
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We'll use your suggestion to improve translation quality in future updates to our system. New developments this punk community culminated in the year 2001. The spirit of togetherness and unity that the stretcher through the slogan Jakarta Punks manifested through the Jakarta Bersatu volume 1, which was held in February 2001. Jakarta Bersatu is an important starting point for the formation of the economic base of political power in the community Jakarta. The bands playing are bands that at least once to create the works in the tape cassette. This criterion is important to remember that so many bands that appear and disappear without contributing their works. This event is actually a joint event with the hardcore music genre and skinheads with the aim of uniting the music community who have similar backgrounds.

The event marks the Jakarta Bersatu solid community of Jakarta Punk. Because the process of forming the basis of economic production and distribution of nets have been running to form a separate market mechanisms. This event also shows the resistance through the rejection of the sponsor who was considered a capitalist trap. The event was attended by 5000 up to 7000 spectators is evidence that the community of punk, hardcore and skinheads to organize the event with a large capacity, an event that previously could only be performed using large institutional sponsorship donations.
Those who entered the punk community in the period after this transition period will be formed conscience to reject the major labels from major music industry.

Go punk Jakarta International Community (2001-2006)

After experiencing the process of transition, Jakarta Punk evolved into different forms from the previous period. In this period, the punk community in Jakarta had the intervention of capitalism through the commodification and absorption punk symbols into something mass-produced. If the punk movement of the second period the industry still considers punk culture does not have a high selling value, now they think otherwise: punk in Indonesia (including Jakarta) was the target of industrial commodification (Zulqarnain Iskandar, 2004).

Bands like Superman Is Dead (SID, from Bali) signed a contract with a major company is Sony Music Indonesia. After the fall of Soeharto, the current was so swift globalization permeates the punk community in Jakarta. MTV entrance through local television stations such as Global TV quiz and have a big impact on the punk discourse formation. MTV has also worked with MRA company established a magazine and MTV Trax radio.

In addition to capitalism, the influence of the Internet is also a little more interaction and influence the process of socialization punk community in Jakarta. Punk generation born in this period did not experience the interaction and socialization among fellow punk. They get information through the Internet and media. Previously, generation of punk in Jakarta known punk bands through a process of interaction between the members. Now, those who claim to only take reference punk identity through media such as MTV. As noted Zulqarnain Iskandar (2004), via MTV, punk bands of Western commercial, such as Blink 182 and Sum 41, in forming a new discourse about punk in Jakarta. MTV also provides an opportunity for punk bands who want to be on television for her music video to show each other. Punk bands such as the SID and the Rockets Rockers stated frankly that they want to get welfare through voluntary punk sell-outs to sell the image as the punk music of liberation for the money (Zulqarnain Iskandar, 2004).On the other hand, the existence of the Internet nevertheless give positive energy for development punk community in Jakarta. Through the Internet, direct-contact relationship with the punk community thrive overseas. Indonesia and Jakarta began to be known by the punk community of the world. By itself, the punk community level interaction Jakarta into an increasingly broad. Community Jakarta for the first time Punk band coming from abroad, Wojcezh from Germany. Wojcezh playing gigs in the street in front of Pasar Festival Kuningan in Jakarta. Wojcezh presence in Jakarta in cooperation of friends from Malaysia-Singapore with the people in the community Jakarta Punk. After Wojcezh, from Germany comes a few bands from abroad to play in Indonesia. Bands like the Battle of Disarm and Power of Idea of Japan; Foco Protesta, Rambo of the United States; Phist Crist from Australia; Topsiturfi of Singapore, Second Combat Hardcore band from Malaysia; Masseparation Grindcore band from Malaysia, Young And Dangerous Trashcore band from Malaysia, and Cluster Bomb Unit of the German band that has played in Jakarta, twice in 2005 and 2006.The presence of bands above overseas do not use the help from sponsors donor companies, such as Djarum Super, or A Mild. Through collective cooperation among groups Jakarta punk, bands abroad can be played in Jakarta. One important event is the presence of the legendary band The Exploited has existed in the punk community England since 1980s. Exploited present in Jakarta on a tour of Southeast Asia. In Indonesia, Exploited concert held in three cities namely Jakarta, Bandung and Malang. Another interesting event is the concert held in Jakarta on June 10, 2006 at Cirendeu Ball Field. The concert went well with no sponsors that support the event.Reading the History of Punk Jakarta Community.The existence of punk in Indonesia, especially in Jakarta, attended by a historical process. This fact clearly conflict with the claim that the presence of punk in Indonesia, a historically and without grounds. The most important result of the discovery of historical reconstruction, periodization periodization in the history of punk presence in Jakarta. Each period has internal and external dynamics of each. Behind this historical process is the internal contradictions within the punk community historical developments in the city of Jakarta. In other words, from this historical fact, the author seeks to understand the history of the punk community is critical. The author can identify at least three critical reflection on the community Punk Jakarta as a Counterculture movement:First, from the four periods of history show that punk as a resistance movement to find his best form in the second period. However, here also lies the problem. When the punk community is the Counterculture movement, then the consistency of political attitudes Jakarta punk community needs to be questioned. Punk as a political movement can be read more as caused by movement of the PRD and the infiltration of socio-political conditions in 1997-1999 that allows not just punk kids are talking politics or politics, but almost all people in Jakarta can talk politics. Moreover, this condition is driven by the current reforms that opened the freedom of speech and expression. The fact that a weak political position of the punk community is supported by the declining Jakarta work or political statements in the daily actions of individuals in it.The next period is the period III starting from 2001 until the present time is slowly showing that the punk community undergo a process of politicization of Jakarta as the decrease in public political activity after the political reform in the year 1997-2000. This means that Jakarta punk community stagnated for real political activities. In other words, the punk community Jakarta trapped into a situation and political conditions in the attitudes and actions in opposition to the state and capitalism.Second, the development community Punk Jakarta as IVI (as of this writing) has a worrying condition. Many of the members of the punk community in cooperation with Jakarta that institutions previously capitalism as the enemy they claim they are. Examples of events that sparked controversy was the inclusion Marginal, a punk band joined in the group of pig's fangs Jagakarsa-Depok, to the coverage of the Urban Reality Show on RCTI. In addition Fangs The Pig and the Marginal is also involved as extras in the movie Naga Bonar 2. BZndara ceremony at the scene in the film we can see some punk kid from Pig's fangs group followed the ceremony in the film. This indicated that the collective consciousness of the punk community Jakarta weakened. In addition, this fact shows that in the body Punk community Jakarta-fragmentation is fragmentation between one group with other groups. It should be stressed that the authors realize that the community is very heterogeneous and do not stand a monolithic.

Finally, economic punk failed in providing an alternative or economic struggle against the capitalist system. Even the orientation mode of production that made punk community Jakarta has the seeds of capital accumulation in produced activities. In other words, if the community is not aware of punk Jakarta and critical reflection of the activities they do, then the unconscious mode of production from the punk community of Jakarta which has been run will move toward the capital accumulation law. If this happens then the punk will fall into the tragic death (Out).

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